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Nineteenth-century American artists looked to Europe as the center of culture. The painters flocked to Paris, while the sculptors migrated to Florence and Rome, where they could obtain the marble, the mentors, and the ancient models they required to fashion their neo-classical compositions. These expatriate artists chose “ ideal’ subjects—themes from literature, mythology, and history,” as most worthy of their endeavors. Their studios were destinations for Americans on the Grand Tour, and often they made multiple versions of a piece to sell.

By VM Guide Charisse Gendron In early 1998, Victoria Mansion started preparations for an exciting project: the reconstruction of its large stained-glass skylight, which had been shattered in a storm sixty years before. Surviving pieces were salvaged at the time, but only one clue remained to the overall…